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About this book Introduction Combining cultural history and literary analysis, this study proposes a new and thought-provoking reading of the changing relationship between Germans and Jews following the Holocaust. Two Holocaust survivors whose work became uniquely successful in the Germany of the s and s, Grete Weil and Ruth Kluger, emerge as exemplary in their contributions to a postwar German discussion about the Nazi legacy that had largely excluded living Jews. While acknowledging that the German audience for the works of Holocaust survivors began to change in the s, this study disputes the common tendency to interpret this as a sign of greater willingness to confront the Holocaust, arguing instead that it resulted from a continued German misreading of Jews' criticisms.


By tracing the particular cultural-political impact that Weil's and Kluger's works had on their German audience, it investigates the paradox of Germany's confronting the Holocaust without necessarily confronting the Jews as Germans. Furthermore, for the authors this literature also had a psychological impact: their 'return' to the German language and to Germany is read not as an act of mourning or nostalgia, but rather as a public call to Germans for a dialogue about the Nazi past, as a way to move into the public realm the private emotional and psychological battles resulting from German Jews' exclusion from and persecution by their own national community.

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Titel des Skripts: "Im Angesicht des Galgens". Lebensjahr dieses Kindes der Schicklgruber Alimente bezahlt. Denn Maser hatte viele der Kirchenmatrikeln und Gerichtsakten, die als verschollen galten, bei seiner Suche gefunden. Weitra, fol. September So schrieb der Amerikaner William L.

Die Überlebensfigur Sächsische Dichterschule

Indes -- der Greis konnte gar nicht unerwartet wieder auftauchen: Als Alois Schicklgruber legitimiert wurde und den Namen Alois Hitler erhielt, war Hiedler bereits 19 Jahre tot. Seinen Vater beschrieb er karg als "pflichtgetreuen Staatsbeamten", und seine Mutter sei, "im Haushalt aufgehend", "vor allem uns Kindern in ewig gleicher liebevoller Sorge zugetan" gewesen.


Doch niemand wagte je, ihn darauf anzusprechen. Angela "Geli" Raubal erleichterte ihm diese Entscheidung: Am Volume 63 , Issue 3.

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    Please review our Terms and Conditions of Use and check box below to share full-text version of article. References 1 Manfred Frank, Die unendliche Fahrt. Ein Motiv und sein Text , Frankfurt a. Google Scholar. Volume 63 , Issue 3 July Pages References Related Information. Close Figure Viewer.


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